Propellerhead Reason - 2.0 Manual de Operações Página 77
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Transport Panel
75
DD
DD
If the Audio Out Clipping indicator lights up, and the signals are be-
ing sent directly (not via a Mixer) to your Hardware Interface, you
can check the meters in the Hardware Interface. If the red segment
of any of these meters are momentarily lit, this indicates at which
output(s) the clipping is occurring.
Reduce the output level of all devices connected to outputs whose meters
show red.
CPU Meter
This bar graph shows the current CPU (processor) load. Note that this mea-
sures how much of the total processor power the Reason “audio engine” cur-
rently is using up. Graphics, MIDI and the “rest” of the Reason program is
allotted the CPU power not used by the audio engine, so audio always has pri-
ority. See “Optimizing Performance” for more information.
- , Operation Manual 1
- Table of Contents 4
- 255 MIDI Implementation 7
- 257 Index 7
- Recording 10
- Recording Pattern Changes 12
- Copying REX loops and 14
- Patterns to Sequencer 14
- Editing - About Snap 16
- Editing in the Arrange 17
- Duplicating Events 18
- Using Cut, Copy and Paste 18
- Deleting Events 18
- Inserting and Removing Bars 19
- Using Groups 20
- Selecting Groups 21
- Resizing Groups 21
- Dividing Groups 22
- Combining Groups 22
- Find Identical Groups 22
- Ungrouping 22
- Editing with Groups 22
- The Edit View 23
- Drawing and Editing Notes 24
- Drawing notes 25
- Selecting notes 25
- Moving notes 26
- Duplicating notes 26
- Resizing notes 26
- About resizing drum notes 26
- Deleting notes 27
- Editing velocity 27
- Editing Controllers 28
- Inserting Pattern Changes 31
- Quantizing 33
- The Change Events Dialog 34
- Importing and Exporting 36
- MIDI Files 36
- Routing Audio and CV 37
- About the various signals 38
- About Cables 38
- Automatic Routing 39
- Manual Routing 40
- Using CV and Gate 41
- Routing MIDI to Reason 43
- About the Various MIDI 44
- Sending MIDI Data to 45
- Sending MIDI Data from 46
- Other Applications 46
- Controlling Devices 47
- Recording Pattern changes 48
- About this Chapter 50
- Why use Reason with 50
- Introducing ReWire! 50
- Preparations for Using 51
- ReWire - Mac OS 9 only 51
- Launching and Quitting 51
- Using the Transport and 52
- Tempo Controls 52
- Synchronization 52
- Routing Audio 52
- Routing MIDI via ReWire 2 53
- Converting ReWire 53
- Channels to Audio Tracks 53
- Details About Various 54
- ReWire Hosts 54
- MIDI Remote Mapping 56
- Example MIDI Setups 57
- Enabling MIDI Remote 57
- Editing MIDI Remote Mapping 58
- Keyboard Remote 59
- Saving Remote Setups 60
- ReWire users – Read This! 62
- What is Synchronization 62
- Slaving Reason to an 62
- External Device 62
- Slaving Reason to 63
- Another Program on the 63
- Same Computer 63
- Considerations 64
- About Tempo Changes 65
- Optimizing Performance 67
- Optimization and Output 68
- Optimizing Your 69
- Computer System 69
- Optimizing Songs 70
- Songs and Memory 71
- Requirements 71
- Transport Panel 73
- Overview 74
- MIDI Sync and Focus 76
- Automation Override 76
- Audio Out Clipping Indicator 76
- CPU Meter 77
- Reason Hardware Interface 79
- MIDI In Device 80
- Audio Out 81
- The Mixer 83
- The Channel Strip 84
- Channel Strip Controls: 85
- The Mixer Signal Flow 86
- The Auxiliary Return 86
- The Master Fader 86
- Chaining Mixers 88
- Using Patches 91
- Step Dynamics 93
- The Pattern Enable switch 94
- Redrum Parameters 95
- Level and Velocity 96
- Global Settings 98
- Using Redrum as a Sound 99
- Subtractor Synthesizer 101
- Introduction 102
- The Oscillator Section 102
- Semitone/Cent 104
- Oscillator Keyboard Tracking 104
- Using Oscillator 2 104
- Oscillator 2 Waveform 104
- Noise Generator 105
- Phase Offset Modulation 105
- Frequency Modulation (FM) 106
- The Filter Section 107
- Filter 1 Frequency 110
- Resonance 110
- Filter Keyboard Track (Kbd) 110
- Envelopes - General 111
- Amplitude Envelope 112
- Filter Envelope 112
- LFO Section 113
- LFO 2 Parameters 114
- Play Parameters 115
- Pitch Bend Range 116
- Portamento (Time) 117
- External Modulation 118
- Connections 119
- Malström Synthesizer 121
- The Oscillator section 123
- The amplitude envelopes 124
- The Modulator section 125
- The Filter section 126
- Filter types 127
- The Filter Envelope 128
- The Shaper 129
- Routing examples 130
- Adding the shaper 131
- The play controls 132
- The Velocity controls 133
- Routing external audio to 135
- NN-19 Sampler 137
- General Sampling 138
- Principles 138
- About Audio File Formats 139
- About Key Zones and 140
- Creating Key Zones 141
- Selecting Key Zones 141
- Setting the Key Zone Range 141
- Deleting a Key Zone 141
- The Sample knob 142
- Looping Samples 143
- Automap Samples 144
- NN-19 Synth Parameters 145
- Envelope Section 147
- Velocity Control 149
- NN-XT Sampler 153
- Panel Overview 154
- Loading Complete 155
- Patches and REX Files 155
- Using the Main Panel 156
- High Quality Interpolation 157
- Global Controls 157
- Overview of the Remote 158
- Editor panel 158
- About Samples and Zones 159
- Selections and Edit Focus 160
- Moving Edit Focus 161
- Adjusting Parameters 162
- Managing Zones and 163
- A newly added empty zone 164
- Working with Grouping 165
- Working with Key Ranges 166
- Dragging multiple zones 168
- Setting Root Notes and 169
- Using Automap 170
- Layered, Crossfaded and 171
- Velocity Switched Sounds 171
- Overlapping Velocity Ranges 172
- Using Alternate 174
- Sample Parameters 175
- Group Parameters 176
- Synth parameters 177
- The Pitch section 180
- The Modulation Envelope 182
- The Amplitude Envelope 183
- The LFOs 184
- Dr. Rex Loop Player 187
- About File Formats 188
- Adding a Loop 189
- Creating Sequencer Notes 190
- Slice Handling 191
- Dr.Rex Synth Parameters 192
- Audio Quality Settings 196
- Matrix Pattern Sequencer 199
- Programming Patterns 201
- Using Curve Patterns 202
- Setting Pattern Length 203
- Using Tied Notes 203
- Setting Pattern Resolution 204
- Pattern Shuffle 204
- Pattern Mute 204
- Pattern Functions 204
- Chaining Patterns 205
- Example Usage 206
- Triggering Samples 207
- ReBirth Input Machine 209
- Preparations 210
- The Effect Devices 211
- Common Device Features 212
- RV-7 Digital Reverb 213
- DDL-1 Digital Delay Line 214
- D-11 Foldback Distortion 215
- ECF-42 Envelope 215
- Controlled Filter 215
- The Filter Parameters 216
- The Envelope Parameters 216
- CV/Gate Inputs 216
- CF-101 Chorus/Flanger 218
- PH-90 Phaser 219
- Parameters 220
- CV Inputs 220
- COMP-01 Auto Make-up 221
- Gain Compressor 221
- PEQ-2 Two Band 222
- Parametric EQ 222
- Menu and Dialog Reference 223
- Reason Menu (Mac OS X) 224
- File Menu 224
- Song Information 225
- Publish Song 225
- Song Self-contain Settings 226
- Import MIDI File 227
- Export MIDI File 227
- Export Device Patch 227
- Edit Menu 228
- Initialize Patch 229
- Select All 229
- Browse Device Patches 229
- Browse ReCycle/REX Files 230
- Browse Samples 230
- Delete Sample/Remove Sample 231
- Delete Unused Samples 231
- Split Key Zone 231
- Delete Key Zone 231
- Get User Groove 234
- Clear Automation 234
- Quantize Notes 234
- Change Events 235
- Single adjustment parameters 236
- Sort Zones by Note 237
- Sort Zones by Velocity 237
- Group Selected Zones 237
- Automap Zones 237
- Create Velocity Crossfades 238
- Preferences – General 238
- Show Parameter Value Tool Tip 239
- Show Automation Indication 239
- Default Song 239
- CPU Usage Limit 239
- Use High Resolution Samples 239
- Preferences – Audio 240
- Audio Card Driver – Mac OS X 241
- Audio Card Driver – Mac OS 9 241
- Preferences – MIDI 243
- Preferences – Advanced MIDI 243
- Preferences – Sound Locations 244
- Create Menu 245
- Options Menu 245
- Edit Keyboard Remote 246
- Clear All Keyboard Remote 246
- Enable MIDI Remote Mapping 246
- Edit MIDI Remote Mapping 246
- Windows Menu 247
- (Windows Version) 247
- (Mac OS Version) 248
- Help/Contacts Menu 248
- Register Reason Now 249
- About Reason (Windows only) 249
- About Audio on Computers 251
- General Information 252
- ReWire and Latency 253
- Reducing latency 253
- PC Specific Information 254
- Macintosh Specific 255
- Information 255
- MIDI Implementation 257
- About This Chapter 258
- How various MIDI 258
- Implemented 258
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