Propellerhead Reason - 1.0.1 Manual de Operações descarregar pdf (Página 162)

THE EFFECT DEVICES

160

DDL-1 Digital Delay Line

This is a mono delay (with the output pannable in stereo) that can be syn-

chronized to the song tempo. The delay can be used as a send effect or an

insert effect.

Parameters

CV Inputs

The following CV inputs are available on the back panel of the device:

➜ Pan CV.

This allows you to control the panning of the delay signal. Connect an

LFO to this for moving delay effects, or use a Matrix pattern to simulate

random delay panning.

➜ Feedback CV.

This allows you to control the amount of feedback (the number of delay

repeats) from another device. Useful for dub-type echoes on certain

beats or notes only.

Switching between Unit modes

When you switch between the two Unit modes (Steps and MS), the following

rules apply:

➜ If you switch from Steps mode to MS mode, the delay will be set to

the same actual delay time as was used in the Steps mode.

This means that you can set up an exact rhythmic delay in Steps mode,

and then switch to MS mode to adjust it slightly.

➜ If you switch from MS mode to Steps mode, the delay is reset to the

previously used Steps value.

Parameter

Description

Delay time The display to the left on the device panel shows the delay

time, either as note value steps (based on the sequencer

tempo and the Step Length parameter) or in milliseconds,

depending on the setting of the Unit switch.

The maximum delay time is two seconds (2000 ms) while

the maximum number of steps is 16.

Note that if the tempo is low, you may reach the maximum

delay time at a lower number of steps than 16 (in which

case raising the steps value will not make any difference).

Unit This is where you select whether you want a tempo-based

delay (“Steps” mode) or a free time delay (“MS” mode).

In the Steps mode, you specify the delay time in note value-

based steps. This means that if you change the tempo in

the transport panel, the delay will maintain its rhythmic rela-

tion to the music (provided that the resulting delay time

doesn’t reach the maximum value). This mode is useful for

creating rhythmic patterns.

If you change the tempo when using the delay in MS mode,

the delay time will remain the same.

See also the note about switching Unit modes below.

Step length Governs whether each step in Steps mode should be a six-

teenth note (1/16) or an eighth triplet note (1/8T).

Feedback Determines the number of delay repeats.

Pan Pans the delay effect to the left or to the right.

Wet/Dry If you are using the delay as an insert effect, you use this

parameter to adjust the balance between the unprocessed

audio signal (dry) and the delay effect (wet).

If the delay is used as a send effect, this should be set all

the way to wet only, since you can control the balance by

using the AUX send controls in the Mixer.

Parameter

Description

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